Michael’s message:
What an incredibly turbulent month! I had no time to feel sorry for myself about missing the CMI 30th Anniversary show, I’ve been moving into a new (temporary) home over the last few weeks. I’ll likely be moving again within the next month or two (hopefully to my own place finally). In the meantime I’m going to try my hardest to keep This Is Darkness going at a reasonable pace. But the good news is that I was approved for disability a few weeks ago and have now moved out of the place that was demanding entirely too much of my time. So This Is Darkness should be my number one priority and should be updated at a much more frequent pace in the very near future.
There are a few really interesting articles in the works, some should become available over the next week, others will take a bit longer to be fully prepared. This edition of Frozen In Time is covering about 2 1/2 weeks and there were a good many interesting releases over this time. I definitely recommend that everyone watch the two music videos at the beginning of this article, they are both really awesome! I hope everyone is doing well and that everyone made it home safe from the CMI and Wroclaw Industrial festivals.
Anyone interested in helping to support my relocation fiasco, anything is appreciated. As usual, you can find several ways at the bottom of this article to support This Is Darkness. Now that my personal crap is out of the way, let’s get into the music!
Music Videos
Anemone Tube – “The Three Worlds” live set Berlin 2017
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Mebitek – “The End of Everything (Funeral Movement)”
“A shortfilm by mebitek cinematics (mebitek & Serena Pilloni)
A bizarre, surreal and grotesque pantomime, in which the Unconscious (based on Jung’s thories) is explored, inside a mind afflicted by a personality disorder.
After the whirl and creation, we finally reached the final chapter: the funeral. Leading us to a Shakespearean reborn, but sentenced to survive in an eternal loop, until the end of time.”
Qeight – “Eniloctus” feat. Polina Leonteva
Get the track on Bandcamp here.
New Releases & Preorders
A Bleeding Star – New Single Released (Digital Only)
“I May Be Drownin’ Underneath Icy Current…But At Least I’m Not Homealone Reboundin’ In Regret” is the latest ‘name your price’ single by A Bleeding Star. An interesting release which incorporates many experimental uses of electro elements along with some bold percussion comes together brilliantly for a warm thought provoking track.
Ajna – Preorder Available (Reverse Alignment – CD/Digital)
“2016 saw the release of Ajna’s debut on Reverse Alignment; “Inevitable Mortality”. An isolationist journey through desolate landscapes. External, but most of all internal. On “An Era of Torment”, Chris F plunge deeper into the darkness of the soul. This time derived from psychological battlefields contemplating on lo-fi textures, blackened drones and abandon hopes.”
Releases December 22, 2017.
Alone in the Hollow Garden – New Album Released (2xCD/Digital)
“This present material is a follow up to the former “Akashic Records” double CDr released two years ago. But most of the present channellings were actually recorded prior to the above mentioned material.
The current collection celebrates the healing & renewing power of the Total Solar Eclipse which took place on the 21st of August 2017, by symbolically releasing the past to invoke a clear space for future manifestations.”
Aram 17 – New Album Released (Cephalopagus – Digital)
“’Necromancy’ is the third official album of the Armenian dark ambient project Aram 17,album idea inspired by a supposed practice of magic involving communication with the deceased – either by summoning their spirit as an apparition or raising them bodily – for the purpose of divination, imparting the means to foretell future events or discover hidden knowledge, to bring someone back from the dead, or to use the deceased as a weapon, as the term may sometimes be used in a more general sense to refer to black magic or witchcraft.
The word “necromancy” is adapted from Late Latin necromantia, itself borrowed from post-Classical Greek νεκρομαντεία (nekromanteía), a compound of Ancient Greek νεκρός (nekrós), “dead body”, and μαντεία (manteía), “divination by means of”.”
The Cherry Blues Project – New Album Released (Petroglyph – Digital)
Note: As with all Petroglyph releases, this album is ‘name your price’.
“It is a collection of tracks inspired by childhood memories and vacations spent in the city of Gualeguaychu (Entre Rios province, Argentina) during the nineties. We tried to capture the feeling of the city on those days, the noise, the train, the cars, the winter, and most of all, the memories attached to that special place for us.”
Coven – New Album Released (Noctivagant – CD/Digital)
Coven deliver an album in Suicide which is filled with field recordings, crushing drones and ritual undertones. Enjoy late at night, enshrouded in incense, by the light of a single candle.
Eighth Tower Records – New Compilation (Eighth Tower – Digital)
“One of the great axioms is, “Within everything is the seed of everything,” although by the simple processes of Nature it may remain latent for many centuries, or its growth may be exceedingly slow. Therefore, every grain of sand contains not only the seed of the precious metals as well as the seed of the priceless gems, but also the seeds of sun, moon, and stars. As within the nature of man is reflected the entire universe in miniature, so in each grain of sand, each drop of water, each tiny particle of cosmic dust, are concealed all the parts and elements of cosmos in the form of tiny seed germs so minute that even the most powerful microscope cannot detect them. Trillions of times smaller than the ion or electron, these seeds–unrecognizable and incomprehensible–await the time assigned them for growth and expression.”
The Embers of Tara – New Album Released
(Grey Matter Productions – Cassette/Digital)
Grey Matter delivers some exquisite lo-fi dark ambient / dungeon synth music to drag you into the haze of night in the Realm of Sleep.
“As summer lays dead and the fiery hues of autumn fall to the ground to be covered by frost each morning, the Realm Of Sleep shall soon come to mourn the seasons of warmth and plenty, and usher in the frozen desolation of Winter.”
Fabio Keiner – New Album Released (Petroglyph Music – Digital)
Note: as with all Petroglyph releases this one is ‘name your price’! “Fabio Keiner came late to music and music making; interested in sound rather than in music. (‘I hate music, but I love sound’:)) – in the sound of wind and waves (and windharp and generative programs and humming:). if a decisive influence, than that of giacinto scelsi and of klaus wiese, whose music taught me a lot and is stull teaching me.)”
Fief – New Album Released (Digital Only)
Dungeon Synth masters Fief have returned with their third album, III. Expect the same levels of beauty and craftmanship seen on their first two releases, but taken yet again to a new level. For anyone unfamiliar with Fief this is certainly one of the better current dungeon synth acts, so definitely check this out!
The Inquisitor – New Album Released (Dark Age Productions – CD/Digital)
Note: This is a dungeon synth release!
“The debut album ‘Rise & Fall’ by THE INQUISITOR uses an epic orchestra to tell the story of an adventurer who sets out for glory only to find his path marred by dread and despair.
Lugubriousness – New Album Released (Cephalopagus – Digital)
Some harsh and deeply disturbing dark ambient music that I suppose would fall under the banner of “horror ambient”. This release is sure to take your mind to the darkest of territory.
Macelleria Mobile Di Mezzanotte – New Album Released
(Signora Ward Records – CD/Vinyl/Digital)
Macelleria Mobile Di Mezzanotte bring together the genres of dark ambient, dark jazz and a bit of harsh noise to create an album that feels truly unique and atmospheric. Not your typical dark ambient, but definitely worth a listen!
Melankolia – Preorder Available (Hypnotic Dirge – Digital)
“Ambient / Neo-classical artist Melankolia presents their fourth full-length album ‘Vividarium Intervigilium Viator’. Founded by musician Mike O’Brien, (Appalachian Winter, Veiled Monk, Ritual in Ash) Melankolia has been releasing introspective and thoughtful music since the project’s beginnings nearly 10 years ago.”
Mike O’Brien states:
“This album bridged nearly 5 years of hardship and resurrection in my life. Thematically, this album is a journey of OUROBOROS in my personal life; self-cannibalizing at one end, enigma of absolute perpetuality at the other. It wasn’t the project that changed, but me. The music was always there, but I had to learn to extricate it from the ruins of a life that was no more. In this way, the album is a study of personal catharsis.”
Mykja – New Album Released (Faint – CD/Digital)
“North Paths is the first album by Mykja. An immersive journey through frozen soundscapes.”
Poetry of Thorns – New Album Released (Kalpamantra – Digital)
Eyes To Breath is an experimental dark ambient release with ties to glitch which brings to mind the music of acts like Access To Arasaka, Subheim and Bad Sector. A worthy listen for those that don’t mind a bit of electronic percussion and other techno-leaning soundscapes.
Rafał Kołacki – New Preorder Available (Zoharum – CD/Digital)
“Rafał Kołacki’s new album entitled ‘Ā’zan. Hearing Ethiopia’ is another set of field recordings of this artist in which he aims at an in-depth analysis of the audiosphere of a big city. This time of Addis Abeba, the capital of Ethiopia, the place with an extremely wide range of sounds. A multicultural city, both ethnically and religiously, where there are many different languages and different forms of religious activity. The voice of Muezzin praying in the distance, the Christian songs sung in the church or played through loudspeakers throughout the day. It all remind us of the openness and tolerance of the Ethiopians, their ability to function in mutual symbiosis, beyond religion and politics.”
Shivrag – New Album Released (Noctivagant – CD/Digital)
An intriguing dark/ritual ambient album that includes a combination of sweeping drones, rituals which include vocals and percussions, and extended vocal samples.
Winterblood – New Album Released (Digital Only)
Winterblood gives us the entirety of the Waldeinsamkeit trilogy in this latest release. Waldeinsamkeit I-III are some of the coldest tracks yet by Winterblood and are highly recommended!
This Is Darkness Recently Published Articles
Danny Mulhern (with London Contemporary Orchestra)
Reflections on a Dead Sea – Review by: Maxwell Heilman
Minimalism and atmosphere are nothing new to contemporary composers like Mulhern, but Reflections on a Dead Sea bridges the gap between dark ambient and modern classical in ways not often heard on either ends of the spectrum. Rich compositional potential commingles with introspective sonic platitudes, yielding a profoundly stimulating experience.
Read the full review here.
Frigid Horizons – Dark Ambient / Dungeon Synth Mix

Follow the protagonist through the coldest and bleakest northern horizons. From cold windy shores to the peaks of the tallest mountains he moves through these landscapes unwaivering in his will to push forward, searching for new lands and better days. Dark ambient and dungeon synth come together for this calming yet bleak and unforgiving wintry mix.
Listen to the mix here.
Sky Burial – Chapel Image
Review by: Przemyslaw Murzyn
“You may think of dozens of expressions to describe Sky Burial music, but “intimate” or “austere” definitely are not one of these. Michael Page surely knows how to overwhelm the listener with his vision and this album proves it once again.”
Read the full review here.
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Mørkets Variabler is an absolute success and well worth the long wait since the last proper full-length release. Svartsinn proves that he is still at the very top of his game on this one. Each will have their own opinions, but to me this is the apex of his work. The further addition of Amund Ulvestad’s cello and the bolder format of the majority of the album give Mørkets Variabler a character of its own, allowing it to distinctly stand out from the rest of the Svartsinn discography. If you are looking for pure and utter darkness, one need look no further than Mørkets Variabler. This is darkness in its purest form.
For those familiar with the previous works of Aural Hypnox, and Aeoga in particular, there should be little motivation needed to purchase this release. For those, likely many, dark ambient fans that have not experienced the music from this label, Obsidian Outlander is a great starting point. It showcases some of their more stripped down ritual ambient style, while other parts of the album move into that more subtle and hypnotic territory, which I find to be such a draw to these projects.
Funeral doom stands apart from metal stereotypes in that its exploration of death goes beyond something to deal or be dealt, instead exploring the philosophy behind finality and the combination of fear and serenity it entails. Since Funeral’s first demo sparked the genre into existence, no band has embodied a metallic procession quite like Bell Witch. The duo have done to funeral doom what Sleep did to stoner metal with Dopesmoker — taking the genre to its limits while epitomizing its potential on a grand scale. Mirror Reaper will be remembered as a triumph for this movement, an encapsulation of its most moving attributes.
Tomb of Druids is an absolute success. When I saw that it incorporated all new artist that had never participated in the series previously, with one track each, I was hesitant about how well it would work out. But after a number of listens, it’s absolutely clear that this album is worthy of the Tombs Series and, as I’ve previously mentioned, it is likely the most successful at extracting the correct psychological and perceptive responses from listeners. At this point the series could move in any direction. Taking it into these ritual grounds is certainly an interesting path and one that continuing to follow would likely bring about even more levels of success. Highly recommended for the cinematic and ritual ambient listeners.
Dark Piano Nights is a combination of dark ambient with some various other styles that all come together to form a peaceful yet melancholic nighttime listening session. This is mostly free of vocals, but there are a few exceptions throughout. The music becomes more active at times than that of a strictly dark ambient set-list, but I think the flow is good and the music, which includes classical, jazz noir, and a mix of others, is all highly enjoyable. I hope you will also enjoy this mix on a lonely dark rainy evening, when you are alone with only your thoughts, a good book, and an internet connection.
Brusa has done what I’ve been hoping to see over the last few years since discovering Medhelan. He’s severed the tie of Medhelan between his dark ambient and dungeon synth output and created an entity for the sole purpose of dark ambient releases. As he moves further into the depths of this cataclysm it’s likely that an already polished sound will be even further refined on future releases. We might be seeing the beginnings here of a big deal within dark ambient circles. Brusa has already proven capable of this feat in the dungeon synth community.
Wolfe’s unique delivery translates into goth metal confines incredibly well, packing an emotional punch others could only dream of mustering. That being said, her sound has never sounded this conventionally doom, a byproduct of the less nuanced approach she took. This record sees her wrestle with her identity in the midst of hardship, and ultimately transcends her indignations in steadfast resolve. While Abyss remains her darkest and heaviest record, Hiss Spun stands as Chelsea Wolfe’s spiritual manifesto by way of smoky riffs and pitch-black melodies.
At 23 minutes, this is the longest and most dense Wildflowers EP so far. Using stark minimalism and extreme simplicity, Nhor has again created a cohesive narrative unique to the season in question. Autumn blows with crimson leaves towards a snowy blight, pacifying the maddening race to prepare for winter through its gentle chords.
Live Assault is one of the best live recordings I’ve heard. I really wouldn’t be able to notice that it was recorded in a live setting other than a few minor moments. The sounds are full and the music is precisely executed. The change in tempo makes the release have a totally different feel than the original album, which absolutely warrants its release as a separate entity. If you are a fan of TeHÔM, I would highly recommend this release to you. If you have never heard of the project, this is a great place to start!
Night Paths is an absolutely worthy album to be added to the Northaunt discography. While it might not have the same stylistic and thematic consistency that we would hear on a proper full length, it’s full of great tracks, each one I am very pleased to have a chance to enjoy. We get a little something from all the different periods of the Northaunt sound, giving us a sort of time capsule back in time. For any fans of the older Northaunt music in particular, this is a must have. For newer fans, this is a way to get an idea of what Hærleif Langås has done in the past, a perfect introduction to his previous styles. Knowing that Istid III is right around the corner as well, we should all be quite content this winter, with plenty of fresh Northaunt music to act as a soundtrack to these upcoming cold, dark months.
Long-time fans of Jarl will have every reason to love Hypnosis Colour. It takes his sound into a direction that makes the most sense yet in his career, the building of layers in order to create an actual mind-shift in the listener. Readers that are new to the sounds of Jarl should be warned that this isn’t light listening. You will have to approach this album in a different way than you would with the usual dark ambient release. It is meant to be an active listening experience and headphones are mandatory. With that said, Hypnosis Colour as well as it’s predecessor Amygdala Colours are two of the most technically and thematically successful releases of Erik Jarl’s to date, and both should be perfect entry points for beginners. It will be interesting to see if Jarl will continue on this path with his next release or if he has plans to switch gears into a different direction.
“When I listen to How Cold Is The Sun, I go through a dimensional gate leading to an opposite universe.
“A great album on the Cryo Chamber label. Created as a tribute to the Silent Hill video game, we get another dark,industrial oriented soundtrack like work that is just stunning. If you like the label or the other artists on Cryo you won’t be let down. Doom comes in all kinds of unpredictable ways.”
“This is a great first offering from Halgrath. In keeping with Cryo tradition it’s a mixture of field recordings and more industrialized ambiance marked with occasional beautiful female vocals. Vastly different from Halgrath’s second album showing this artists immense talent and diversity. I love them both but favor this one just because I love it’s shifting feel. This is dark ambiance at it’s finest! Halgrath takes you into the primordial dreamworld with fire and ice. ”
Litaniæ Mortuorum Discordantes is clearly a triumph for these two veteran artists. The album succeeds in its attempts at creating an atmosphere of religious blasphemy, a kind of funeral music for the dark-minded and irreligious. For a veteran listener of dark ambient and other weird and “spooky” music, I’m delighted to say that Litaniæ Mortuorum Discordantes manages to instill an unsettling feeling of dread and anxiety in my soul, a feat that is not often achieved. Listen to Litaniæ Mortuorum Discordantes in the midnight hours, alone in the dark, incense burning and mind open to the dark entities of the night. Or, if it is possible, play this in a cathedralic setting, and witness the utter disgust and terror of some unsuspecting clergy, the effect should be a delight to witness.
Mareridt sees Myrkur improve sonically, but the room the project has to grow remains. Its distinct atmosphere and instrumentation are a beautiful testament to Brunn’s upward tangent, and upping her songwriting will make her an inexorable force in black metal.
The music doesn’t distract you, there are no rhythms, no samples of any kind. It is all based on the layers of deep drones intertwining one with another. They mostly are kept in quite dark shades, but there are a few moments of reflection, like in the composition called “Reprieve”. Everything is perfectly mastered by Cruel Sound Works, so you may sleep well.
Artist:
Artist: Sysselmann
Artist:
Artist: Atrium Carceri & Cities Last Broadcast
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A detailed look at the dark ambient project Altarmang. Check out their track contributed to the new compilation This Is Darkness Presents Vol.1 Dark Ambient and also find out some more information about their debut album and some insight into the recording process behind it!
Aseptic Void contributed the opening track to This Is Darkness Presents Vol.1 Dark Ambient. Check out this brand new exclusive track, and also find out some more information about the various release by Aseptic Void over the years and find some insights by the artist into what makes him tick.
Multiple listens and a continuous internal dialogue about the subject matter are required to fully appreciate the calamitous odyssey this album harbors within its sprawling sound collages. Its exploration of mankind’s frailty and failures compasses astride a conciliate raft of abstract sublimity. The Shameless Years is not only a bulwark of post-minimalist music, but a stunning account of the deepest insecurities of Rafael Anton Irisarri and his most lofty appraisals of stricken generations.
As my first foray into the works of the Chthonic Stream label, I find this release to be a pleasant listen. It has enough diversity of sounds to keep the listener thoroughly entertained on an active listen, while simultaneously never pushing the boundaries so far as to be a complete disruption on a more passive listening session. The physical release is well thought-out and seems to be masterfully prepared. I would certainly recommend this to listeners who dabble in experimental music. The album is just experimental enough to be a novel experience, without ever going so far as to sound chaotic, a balance which is often missed on these sorts of endeavors.
Asath Reon
Depressive Silence