01. The Crystal Funeral
03. A Moss Covered Grimoire
04. Tears of a Dying Star
05. Tulessa Uinuva Kuningas
You put a spell on me
Hailing from Finland, Old Sorcery is a well known name in the current dungeon synth scene; its acclaimed debut Realms of Magickal Sorrow, an album which combined an old school approach with retro electronic music, drawing influences from the Berlin School, early ambient and trance (not the first of its kind – think of Grimrik‘s Die Mauern der Nacht – but still played out in a personal and engaging style), came out of nowhere in late 2017 and has since been released on tape, vinyl and CD by Garavluth Records, becoming a modern classic. After moving on towards a split with fellow Finnish act Haxan Dreams and an EP, both subtly adding ingredients to the formula, Old Sorcery seems to reach true mastery of spells with its sophomore full-length Strange and eternal.
Besides the extremely scarce liner notes, the first impression about the album comes from the monochrome, almost naively styled cover art by Sadist Stalker, depicting a castle in a vale. Fortunately, this is the only cliché Vechi Vrăjitor, the man behind Old Sorcery, chooses to indulge in, as the 11 minute long opener “The Crystal Funeral” immediately sets the bar pretty high: it is a masterfully written cinematic piece of music carrying an ambient, almost new-age-like feel, slowly evolving towards an epic buildup and finale, which wouldn’t sound out of place in Jim Kirkwood’s (maybe even in David Arkenstone’s) catalog. This stellar introduction is followed by the much shorter and concise “Fimbrethil”; based on a catchy keyboard riff and a simple structure, it showcases a more song-oriented side of Old Sorcery’s style. A trait which immediately catches the ear is the amount of care put in small details; the sound is built over layers of lush pads, dreamy synthetic leads, arpeggiated plucks and classic sampled orchestral instruments, each taking a carefully fleshed out role in the arrangement, never getting too dense and never over-playing each other; electronic music elements are subtly and tastefully employed to enhance the overall feel of the music, as shown on both the aforementioned first track and the hauntingly beautiful, evocative “A moss covered grimoire”, blooming with ambient flourishes over gorgeously deep pads and pulsating synths. The 15 minutes long final piece “Tulessa Uinuva Kuningas” (“The king sleeping in fire”) begins with a synthetic windy soundscape before turning into a dark, atmospheric and arcane sounding take on old school dungeon synth. While there are almost unintelligible vocals buried in the mix throughout the album, this specific track stands out among others because it features a very clean and forward-mixed recording of a poem written and recited with emphasis by Visa “Sikagowitch” Tikka, which perfectly complements the music, giving off a strongly epic and ritualistic feel.
“Strange and eternal” is a pretty fitting description to this album; the music is consistently excellent, written in the spirit of old school masters but with a creative flair, and it has an eerie, otherworldly and timeless quality, characters which sit well along with the genre’s tradition. This is a highly recommended listen; be sure to grab a tape or Digipack-CD copy from Garavluth before they run out.
Written by: Matteo Brusa